Sharp Type

We care about your privacy. Sharp Type uses cookies to improve your experience on this website. Read about how we use cookies in our Terms of Use. If you continue to use this site, you consent to our use of cookies.

Tap to Edit
  • Left Align
  • Center Align
  • Scale Text
Footprints Stabilizers
  • Left Align
  • Center Align
  • Scale Text
Longerons Emissions
  • Left Align
  • Center Align
  • Scale Text
Bolstering Rotorcraft
  • Left Align
  • Center Align
  • Scale Text
Antifreeze Gyroplane
  • Left Align
  • Center Align
  • Scale Text
Telematics Helicopter
  • Left Align
  • Center Align
  • Scale Text
Gearboxes Overshoot
  • Left Align
  • Center Align
  • Scale Text
Powertrain Taildragger
  • Left Align
  • Center Align
  • Scale Text
Carburetor Variometer

About Centra No.1

Josh Finklea’s Centra series is a study in utility and restraint. In keeping with his approach of iteration and improvement to the traditional typographic tools of graphic design, Finklea’s latest work tackles one of typography’s most popular genres, the geometric sans. Instead of strict adherence to a formal geometric structure, Finklea’s approach to the Bauhaus model is largely aesthetic. While Futura and other historical models of the genre were designed as distilled typographic expressions of modernism, Centra acts as a contemporary typographic expression with modernist characteristics. Centra emphasizes texture and readability over conceptual rationale, attributes that can be frustratingly elusive when using many strictly geometric sans-serif typefaces.

8 weights, 16 total fonts.

Centra No.1 Construction

The Centra Series is divided into two parts, both sharing a foundational geometric structure. While Centra No.2 leans into its modernist roots, Centra No.1 finds a more humanist voice, drawing inspiration from the great British contributions to the genre like Johnston and Gill Sans. The construction differences between the two families, as well as their intricate system of stylistic alternates, comprise an interesting stylistic axis, between the geometric and the mildly humanist, and provide designers with a robust set of tools for navigating this axis.

Sharp-Type-Centra-No-1-Johnston-Reference

Edward Johnston's drawing of the London Underground typeface from 1916.

Sharp Type Centra No 1 Reference Granby

Specimen spread of Stephenson Blake's typeface Granby (1930).

Comprised of two parts, the Centra series shares a standard foundation of consistent characters between Centra No.1 and No.2. A small but consequential selection of differentiated characters give each version it's own distinct nature.

Centra No1 Compared Centra No 2 Se Diagram

Centra No.1, the humanist edition of the Centra series, employs classic vertical sheers reminiscent of ancient roman capital construction, but within a geometric framework. Centra No.2, the more modernist geometric of the series, ends its curvilinear terminals with diagonal shears and smooth tapering (with the exception of the uppercase and lowercase C, a nod to the late great Paul Renner).

Centra-No-1-Diagrams-Unique-Glyphs-Centra-No-1-2-lc
Centra-No-1-Diagrams-Unique-Glyphs-1-2-UC

Centra No.1 is an interesting balance of humanist construction applied to a geometric framework. It contains double story “a” and “g” forms more reminiscent of the written word, making it more suitable for text environments, as well as a distinctive Eric Gill inspired “t”.

The Centra Series is a work of balance and texture. Centra is a geometric built to last.
Designed by Joshua Finklea in 2017 with Lucas Sharp. 

Version History

V.1 Sep 2017

By submitting your email you agree to receive updates about Sharp Type. You can unsubscribe at any time. View our full Privacy Policy.