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Footprints Stabilizers
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Longerons Emissions
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Bolstering Rotorcraft
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Antifreeze Gyroplane
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Telematics Helicopter
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Powertrain Taildragger
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Carburetor Variometer

About Centra No.1

Josh Finklea’s newest release, the Centra series, is a study in utility and restraint. In keeping with his approach of iteration and improvement to the traditional typographic tools of graphic design, Finklea’s latest work tackles one of typography’s most popular genres, the geometric sans. Instead of strict adherence to a formal geometric structure, Finklea’s approach to the Bauhaus model is largely aesthetic. While Futura and other historical models of the genre were designed as distilled typographic expressions of modernism, Centra acts as a contemporary typographic expression with modernist characteristics. Centra emphasizes texture and readability over conceptual rationale, attributes that can be frustratingly elusive when using many strictly geometric sans-serif typefaces.

Centra No.1 Features

  • Glyph Alternates
  • Alternate Dots
  • Case Specific Punctuation

Glyph Alternates

Alternate Dots

Case Specific Punctuation

  • Numbers Features
  • Fractions
  • Diacritics

Numbers Features

Fractions

Diacritics

  • Glyph Alternates
  • Alternate Dots
  • Case Specific Punctuation

Glyph Alternates

Alternate Dots

Case Specific Punctuation

  • Numbers Features
  • Fractions
  • Diacritics

Numbers Features

Fractions

Diacritics

Centra No.1 Construction

The Centra Series is divided into two parts, both sharing a foundational geometric structure. While Centra No.2 leans into its modernist roots, Centra No.1 finds a more humanist voice, drawing inspiration from the great British contributions to the genre like Johnston and Gill Sans. The construction differences between the two families, as well as their intricate system of stylistic alternates, comprise an interesting stylistic axis, between the geometric and the mildly humanist, and provide designers with a robust set of tools for navigating this axis.

Edward Johnston's drawing of the London Underground typeface from 1916.

Specimen spread of Stephenson Blake's typeface Granby (1930).

Comprised of two parts, the Centra series shares a standard foundation of consistent characters between Centra No.1 and No.2. A small but consequential selection of differentiated characters give each version it's own distinct nature.

Centra No.1, the humanist edition of the Centra series, employs classic vertical sheers reminiscent of ancient roman capital construction, but within a geometric framework. Centra No.2, the more modernist geometric of the series, ends its curvilinear terminals with diagonal shears and smooth tapering (with the exception of the uppercase and lowercase C, a nod to the late great Paul Renner).

Centra No.1 is an interesting balance of humanist construction applied to a geometric framework. It contains double story “a” and “g” forms more reminiscent of the written word, making it more suitable for text environments, as well as a distinctive Eric Gill inspired “t”.

The Centra Series is a work of balance and texture. Centra is a geometric built to last.
Designed by Joshua Finklea in 2017 with Lucas Sharp. 

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